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Wu's unexpected debut was made possible by a short drama experience program launched by Hengdian World Studios, one of China's largest film and television production bases, in Jinhua, East China's Zhejiang Province. Designed for ordinary visitors rather than professional actors, the program allows tourists to put on costumes, choose scripts, step in front of cameras and receive a professionally edited short video as a "souvenir."
For several hundred yuan, participants complete the entire process - from styling and filming to post-production - and walk away with a one- or two-minute clip in which they become the protagonist of their own story.
According to representatives of the program, a version of the hit TV drama Zhenhuan Zhuan, or Empresses in the Palace, featuring a group of middle-aged and elderly women went viral and garnered more than 1 million views less than 15 minutes after the video was released in September 2022, drawing widespread attention to the trend of ordinary people trying their hand at acting. Today, such experiences have expanded to more visitors, with senior tourists becoming one of the program's key participants.
"This is not an isolated phenomenon limited to one film base," Zhang Yi, CEO of market research firm iiMedia, told the Global Times. He said the trend has grown amid a downturn in the film and television industry, where the shift of production bases across China from "serving only professional crews" to "serving ordinary people" has converged with the rise of new silver economy consumption trends.
At the same time, the trend provides a new direction in the development of the silver economy: Elderly consumers are increasingly seeking experiences that provide enjoyment, self-expression and social connection, Zhang said.
From outsiders to insiders
Hengdian microfilm project director Zhang Jinquan told the Global Times that during this year's summer season, his team has received dozens of visitors every day, with the number sometimes reaching more than 100 during peak periods. Elderly visitors make up a large proportion of participants.
"We hope people can experience the fun of film and television," Zhang said, adding that the team provides a full range of services, including costume design, script selection and acting guidance.
For Wu's daughter, however, her mother's decision to "go shoot a movie" initially came as a surprise.
Many of her old friends who sang and hung out with her had gradually lost touch for various reasons. When I came home from work, I could see she often felt lonely."
Wu is among a growing number of older people who are stepping into studios and transforming themselves from audiences into performers. For many retirees, the experience is not simply about making a video; it is a chance to rediscover confidence, creativity and social interaction.
According to Zhang Jinquan, elderly participants often choose historical costume scripts, with many showing unexpected talent after receiving professional coaching.
"When we opened these projects to the public, we believed that the film industry itself was changing," Zhang Jinquan said.
"With the rise of micro dramas and AI-generated short dramas, filmmaking is no longer something distant and unreachable. Ordinary people can also participate and experience it."
"When choosing experiential activities such as short drama shoots and traditional-style photo sessions, middle-aged and elderly tourists tend to place greater emphasis on cultural depth, a sense of ceremony, nostalgia and quality experiences. They are particularly drawn to the value of fulfilling long-held dreams, creating meaningful memories and sharing their experiences with others," another representative from the studios told the Global Times.
The popularity of these programs also reflects a broader change in elderly consumption patterns. Zhang Yi said that traditional senior consumption was once largely centered around tourism, healthcare products and daily necessities. Now, more elderly consumers are willing to pay for interests, emotional value and meaningful experiences.

Beyond acting in Hengdian, other forms of experience-based consumption, including ancient-Chinese-style photography, senior study tours, and cultural workshops are gaining popularity among the older generations.
In June, 150 elderly participants traveled to the Ancient City of Ping Yao in North China's Shanxi Province for an immersive cultural study program. Instead of simply visiting historical sites, they combined online learning with on-site practice, conducting poetry recitations in ancient streets, studying Shanxi merchant culture at exhibition halls and creating their own works with guidance from professional art instructors, as reported by cnr.com.
Hengdian World Studios has also introduced study tour programs such as "Learning history through film and television" to better meet the diverse needs of senior visitors.
Such activities show that senior tourism is evolving from simple sightseeing into a combination of learning, participation and personal expression, Zhang said.
In fact, China's experience economy among the older generation is receiving policy support. China's Ministry of Civil Affairs, the Publicity Department of the Communist Party of China Central Committee and 10 other departments have launched the "Enjoy your silver age" campaign, focusing on areas including elderly cultural activities, creative industries and social engagement to encourage new consumption opportunities for seniors.
According to estimates from multiple institutions, China's silver economy has already approached 10 trillion yuan ($1.48 trillion) in scale and is expected to reach around 30 trillion yuan by 2035, accounting for roughly 10 percent of the country's GDP. Sectors including elderly finance, smart healthcare, senior education and tourism-based wellness are expected to become major growth areas, according to a report from people.cn.
The report pointed out that against this background, precisely catering to the needs of seniors has become a key focus. For industry observers, the next challenge is how to better understand the emotional and social needs of older consumers.
Zhang Yi noted that the future of the silver economy is not only about providing care, but also about creating products and experiences that allow seniors to pursue their interests, express themselves and build connections.
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B | 广东省人民体育场,2026希望杯大湾区国际青少年俱乐部邀请赛决赛,贝尔格莱德游击队U17对阵武里南联U17。看台上,来自世界各地的8位球探感受了一场他们经历过的最高规格的青少年友谊赛。比赛在美妙的灯光秀中开始,现欧塞尔俱乐部主角、前欧冠冠军成员吉布里尔-西塞捧着奖杯走进球场,为年轻人助威,现场播音员就着球场大屏幕上呈现的双方每一位年轻球员的视频资料向现场观众逐一介绍,仪式感拉满。走南闯北多年的来自威尔士的美职联球探Osina-worth对此有点惊讶,他说:“U17青少年的友谊赛一般组织得都比较随意,有一块场地就行,很少会在市中心的球场办得这么正规。

C | 不得不说中国的地方政府对青少年足球赛事非常重视,中国的足球青少年也很幸福。”广东省人民体育场的决赛开幕式现场比赛过程中雨越下越大,暴雨如注。70分钟左右,主裁判不得不暂停比赛,此时武里南联已经依靠两个漂亮的进球2比0领先贝尔格莱德游击队。暴雨持续下,比赛暂停超过40分钟之后,因天气原因,组委会不得不决定提前结束比赛。遗憾总是有,不过来自贝尔格莱德的小伙子们没有垂头丧气,确认比赛提前结束后,他们情绪饱满地从更衣室里走出来,冲进雨中,向看台上几位游击队球迷致谢。这是大雨里很有意思的一幕:几位远道而来的游击队球迷跟17岁的少年们互动了起来,他们一起拉歌,相互打气,人不多,但声势浩大,盖过了暴雨声,感染力十足。现场的广东球迷一同见证了东较场看台历史上的新故事。贝尔格莱德游击队球员跟看台上的观众互动随后是武里南联少年们走进雨里。此前在比赛里似乎还有点火药味的血气方刚的双方球员,此时已经卸下了糟糕的情绪,只剩下彼此尊重。武里南的孩子们向看台上的所有球迷致谢,然后在雨中兴奋地捧起了奖杯,那兴奋劲儿不亚于成年队拿到世界杯。看得出来他们就是奔着冠军来的,并为此做了精心的、充分的准备。作为在现场采访决赛的中国记者,心里必然有一些感触:泰国足球现在越来越强了?贝尔格莱德的孩子们身体更强壮,但武里南的孩子们脚下技术更好,整体配合度更高,创造力更强。比赛中止之前的60多分钟,2比0的比分反映了双方的真实差距。武里南是中国俱乐部多少年来在亚洲赛场上的主要对手之一,他们的进步如此明显,所以我除了欣赏和羡慕,更多的是担忧。

D | 2026希望杯大湾区国际青少年俱乐部邀请赛由广东省足协、北京奥众体育发展有限公司主办、广东悦和体育管理有限公司承办的17岁年龄段赛事,8支参赛球队分别是A组的欧塞尔、武里南联、梅州客家、贝尔格莱德游击队,以及B组的广东队、大田韩亚市民、惠灵顿凤凰、诺丁汉森林。

E | 中甲的梅州客家U17梯队,小组赛分别0比3武里南联,1比5欧塞尔,1比4贝尔格莱德游击队,三连败小组垫底出局;广东队首轮0比3诺丁汉森林,随后2比1惠灵顿凤凰、2比0大田韩亚市民,以小组第二身份出线。半决赛中,广东队3比5负于贝尔格莱德游击队。应该说中国两支青年队的表现在预料之中。面对来自足球更发达地区的对手,广东队的表现甚至是为人称道的。反观武里南联,小组赛3比0梅州客家,2比1欧塞尔,3比3贝尔格莱德游击队,小组第一出线。

F | 然后在半决赛1比0击败诺丁汉森林,晋级决赛。武里南联最终以4胜1平拿到冠军奖杯,可见其稳定的战斗力。武里南联球员在防守中来自世界各地球探来看比赛,可见比赛本身的正规性和吸引力,青少年球员通过这样的平台展示自己的实力,被更多业内人士认识,然后获得更多机会,这也是2026希望杯的另一层价值所在。趁着见多识广的球探在场,我跟Osina-worth聊了聊,并直奔主题:中泰球队和球员的差别和差距。Osina-Worth说:“几场比赛看下来,能够感受到武里南联青年队很有战术素养,相互之间的配合非常默契,9号和10号球员给我留下了很深的印象,但更多的感受是武里南联场上的11名球员实力很平均,没有明显的短板。两支中国球队,相对而言,也有相对突出的球员,但是球员之间的水平相差有点悬殊,可能有5名球员不错,但另外一部分球员的技术能力要差一些,所以不能更好地组成一个整体。”来自美职联明尼苏达俱乐部的球探Osina-Worth这些年中国和泰国在青年队、成年队层面有多次交手。正式比赛中,成年国足最近3次遇到泰国2胜1平,成绩还是压过了对手,但每次只是1球小胜,且比赛内容让人担心。看得出来,成年国家队的成绩,泰国已经渐渐追上来了,跟10年前比,现在的比赛踢得愈发焦灼。

G | 青年队层面,最近一次正式比赛交手时2025年的U17亚洲杯,中国2比0泰国。总体而言,中国国字号面对泰国国字号,暂时还是压过一头。不过泰国足球上升势头明显,中国足球则有下滑趋势,这个现象早已引起圈内警觉。武里南联青年队在希望杯上的成绩,让这种警觉更深一层了。不过Osina-worth也安慰我:“拿广东队、梅州队跟武里南联队比,可能有点苛刻。武里南联青年队可能是泰国同年龄中最好的之一,但梅州和广东队,应该不是同年龄里中国最好的球队。所以我相信中国最好的年轻球员不会比泰国的差。

H | 依我看,中国人口这么多,天才也一定多,只是没有被发掘。所以看到中国最近热衷于举办各种大型青少年比赛,我觉得这对中国足球而言是很重要的。当孩子们有了更多有机会和表现平台,中国足球的潜力才会兑现。

I | ”但愿Osina-worth说的是对的。

J | 眼下,中国足球圈里各种力量正通过多种途径为青年球员创造机会。2026希望杯大湾区国际邀请赛等世界性的青少年比赛在中国越来越多,中国青年球员跟海外同龄人交手的机会在变多,被输送出去途径也越来越多。比如曾效力于梅州客家俱乐部的年轻魏祥鑫,半年前就被输送到欧塞尔俱乐部,并凭借自己的表现进入了新赛季的一线队名单。这天身处广州的欧塞尔助教西塞告诉记者:“ 大家都很喜欢他(魏祥鑫),他是一名很有潜力的射手,他在克服困难后,可以成长为一名优秀的前锋。当前最重要的是适应环境,克服语言障碍,融入球队的战术体系中。”当前中国的足球热度是显而易见的,专业青训体系的建设无疑应该借助这股政府和民间的双重热潮,一方面撬动各方资源扎实体系根基,一方面在训练和赛事层面与国际接轨,然后耐心等待开花结果的一天。

K |
Current article:http://www.roubutianquegumaigoubingdian.cyou/news/20260826_892.html
Published on:20:38:11
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